Buddhist art forms were born and flourished in the Indian sub-continent where the Buddhism itself originated. In accordance with the growth of Buddhism, it became popular all around the Asian countries including Japan as a result of its interactions with other cultures.

The growth of the Buddhist religion and art was very fast in Asia. It entered all corners of the continent including northern, central, eastern and south-east Asia.

Before the arrival of Buddhism in Japan, various other cultures and movements had made impacts on the Japanese art. Especially the Kofun and Yoyoi times had a great influence on the culture and art style of Japan.

In the 6th century, Buddhism took up its residence in Japan. As it was fading away from India, Japan was becoming its capital. The Buddhist priests succeeded in attracting the ordinary people with their art works and statues. Consequently, Japan became the largest country of Buddhism in the world.

Soon after the introduction of Buddhism in Japan, it began to influence the Japanese life and art. Numerous monasteries and temples were built up. The Kofukun-ji temple in Nara, the five story pagoda and the Golden Hall of Horyuku are the existing examples of the Buddhist art forms of those times.

Buddhist art also improved in the form of paintings and sculptures. The government was involved in sponsoring a lot of artists in order to create numerous paintings and sculptures. The art of the time revolved around realism and had a very graceful appeal. This was the result of Korean, Chinese and Hellenistic impacts that had come together to form a unique style.

The Buddhist art had a greater development between the 8th and 13th century. In the periods of Nara and Heian, it became supreme in Japan. Hindu and Shintoist effects also were found in the Buddhist art forms. Most of the art works were portraying Buddhist deities and were exceptional because of their diversity and individuality.

Around the 13th century, the Zen art which was introduced in Japan by Eisai and Dogen began to replace the conventional Buddhist art. A large number of art works of those times including painting and pottery illustrated their intention to expose the life’s reality. Japanese martial arts and the art of flower arrangement named Ikebana also had a greater improvement in this period.

Today Japan is home to around 80,000 Buddhist temples. Most of these temples have been constructed from wood and have undergone massive restoration for the purpose of preservation.

Buddhist art from Japan is an integral component of the nation’s heritage. If you would like to see Buddhist influences in common Japanese tattoo symbols please click on the links.

Tags: art, Asia, buddhism, culture, family, health, home, Japan, painting, religion, spirituality

Thangkas are one of Tibet’s most famous art forms, and they have fascinated generations of art fans around the world. Developed during the Songtsan Gampo era of Tibet, they incorporate elements from both Nepalese art and traditional Chinese paintings. Valued for their exquisite craftsmanship, they are also admired for their unique beauty and practical function. When traveling to other places, Tibetan monks will often carry a thangka to communicate with their gods. On a good tour in Beijing, you can find exquisite thangkas made by great Tibetan artists.

Thangkas are a type of scroll painting that can be easily rolled up for storage. Most thangkas are either hung on the wall of a house or carried by a monk or traveler when moving around to different places. Because Tibetans are traditionally a nomadic people who are also deeply religious, they need an easy-to-carry item like a thangka to help them communicate with gods on their journeys.

In many ways, thangkas are like Buddhist statues. Both of them are used as a medium through which people pay tribute to their gods, say prayers, and make requests. But the difference is also obvious: whereas a Buddhist statue only represents a certain deity in Buddhism, a thangka shows the deity and depicts his/her life stories, important events, and the Buddhist teachings associated with the deity. Such depiction is aimed to educate, enlighten, and enhance the contemplative experience of the Buddhists who study them.

On a thangka, no detail is too small to ignore. Everything, like the color, the clothes, and the positions or postures of the people, contains bits of information that contribute to the profound symbolism of the overall image. For a Buddhist, the teachings of Buddhism can be learned by memorizing these details and imaging the image in their minds.

When used by monks traveling from place to place, thangkas can serve as an excellent educational tool. Tibetan monks who carry thangkas have been traveling to remote regions and teaching Buddhism for hundreds of years. As a tradition, monks living in monasteries display their precious thangkas to the public during ceremonies or festivals.

Thangkas are either painted by hand or embroidered with high-quality threads. Some extremely valuable thangkas are made of precious pearls and gold. Making a thangka is not an easy task. Usually it takes five properly trained artists to finish one thangka. Paint made of natural minerals is commonly used, as it gives a touch of vividness to the picture. Painting a thangka requires a mastery over a variety of drawing skills and an in-depth understanding of Tibetan Buddhism. Subtle hints are incorporated into every detail on the image.

Depending on the method of production and materials used, thangkas can be grouped into two main categories: “Bris-Tang” and “Go-Tang.”

“Bris-Tang”: Thangkas that are painted are called “Bris-Tang.” The five specific types of this category are: Multi-Colored, Gold Background, Vermilion Background, Black Background, and Block Printing “Bris-Tang.”

“Go-Tang”: Thangkas that are made of silk or decorated with embroidery are called “Go-Tang.” This category includes: Embroidery, Applique, Glued Applique, Hand-Woven, and Block Printing “Go-Tang.”

All thangkas are made to conform to a strict standard concerning the use of colors. Different colors are used to show different themes or different characters. Red is the main color for thangkas that depict the life stories of the Buddha. Black is the main color for thangkas depicting gods who fight against evils. Blue is used to represent joy. Green is used to represent activity. And white is the symbol for peace and compassion.

In the amazing local shops of Beijing, there are authentic thangkas made by master painters from Tibet. When you are in the city, be sure to check out these exquisite products. If you are not familiar with the local business, it’s best to find a tour guide in Beijing to help you shop.

A. Lao writes about Chinese culture and history. He assists a Beijing personal shopper who helps tourists find unique Chinese items. Sometimes he personally tailors Beijing tours.

Tags: Asia, beijing, Buddhist, China, embroidery, handicraft, painting, religious, shopping, thangkas, tibet, tour

Thangkas are a unique, popular Tibetan art form that originated in the Songtsan Gampo era of Tibet. Initially a type of painting designed based on the Nepalese style, it later developed into a mesmerizing, full-fledged art form with its unique beauty and function. In its last stage of development during the 18th century, it was heavily influenced by the elements of traditional Chinese paintings. To pay tribute to their gods, Tibetan monks and commoners alike carry a thangka with them as they travel from place to place. When in Beijing, remember that some local shops here have exquisite thangkas for shoppers and tourists like you in Beijing.

Much like a scroll painting, thangkas can be easily rolled up for storage and unrolled for display. Travelers and monks like to carry a thangka when they travel to other places because it is very lightweight. Home-dwelling Tibetans also like to use thangkas in their homes because they are beautiful and can be easily be put on a wall.

Serving as an object for worship and meditation, thangkas often have images that depict prominent figures of Buddism, like the Buddha, bodhisattvas, and other gods. These figures, along with the depictions of their life stories that usually appear in the background, are intended to educate, enlighten, or enhance the contemplative experience of the people who study them.

For people who understand Tibetan Buddhism, the complex picture on a finely made thangka has a profound symbolism that reveals itself through very exquisite details on the picture. People can learn the teachings of Buddhism by carefully studying these details and finding out the intricate connections among them. One of the most common items depicted on thangkas is the Wheel of Life, or the universe in Buddhism.

When used by monks traveling from place to place, thangkas can serve as an excellent educational tool. Tibetan monks who carry thangkas have been traveling to remote regions and teaching Buddhism for hundreds of years. As a tradition, monks living in monasteries display their precious thangkas to the public during ceremonies or festivals.

Most thangkas are painted by hand on a cotton canvas or silk, but a few of them are embroidered or made of precious materials like pearls and gold. Making a thangka is usually an extremely complex process that employs a variety of techniques and paints. Paint made of natural minerals is often used, giving the pictures a bright and unique color that can last hundreds of years. Such paintings require a mastery of different drawing skills and a deep understanding of Buddhism and Tibetan culture. Since every detail on a thangka contributes to the overall symbolism through subtle hints, only a properly trained artist can make a thangka.

Depending on the materials used and the way it was made, thangkas can be divided into two main categories: “Bris-Tang” and “Go-Tang.”

“Bris-Tang”: Thangkas that are painted are called “Bris-Tang.” The five specific types belonging to this category are: Multi-Colored, Gold Background, Vermilion Background, Black Background, and Block Printing “Bris-Tang.”

“Go-Tang”: “Go-Tang” is the name for thangkas that are made with silk and adorned with embroidery. This category also has five specific types: Embroidery, Applique, Glued Applique, Hand-Woven, and Block Printing “Go-Tang.”

All thangkas are made to conform to a strict standard concerning the use of colors. Different colors are used to show different themes or different characters. Red is the main color for thangkas that depict the life stories of the Buddha. Black is the main color for thangkas depicting gods who fight against evils. Blue is used to represent joy. Green is used to represent activity. And white is the symbol for peace and compassion.

When in Beijing, check out the beautiful, authentic thangkas in many of the city’s shops. For shoppers unfamiliar with the local business, it’s best to find a Beijing tour guide to help with the shopping.

Tags: Asia, beijing, Buddhist, China, embroidery, handicraft, painting, religious, shopping, thangkas, tibet, tour